Cantonese opera, recognized as a Human intangible cultural heritage (ICH) by UNESCO, faces significant challenges due to an aging demographic and declining audience. In response, Cantonese opera in Hong Kong has embraced modern technologies, such as artificial intelligence and virtual reality. This qualitative study critically examines the perspectives of stakeholders involved in Cantonese opera, exploring their attitudes, beliefs, and practices regarding the integration of technology. The findings reveal an increasing openness among stakeholders in Hong Kong towards adopting technology in Cantonese opera performances. The study highlights the factors influencing their readiness to accept or reject specific technological innovations in traditional Cantonese opera. By shedding light on technology's role in the preservation and evolution of Cantonese opera, this research contributes to the ongoing discourse on the intersection of tradition and innovation in safeguarding ICH.

Authors:
Fanny Ming Yan Chung, The Chinese University of Hong Kong, Hong Kong

About the Presenter(s)
Fanny Chung is an assistant professor at Faculty of Arts, CUHK. She is the author of Transmission of Cantonese Opera in Hong Kong amidst COVID-19 Pandemic Crisis (ChungHwa, 2023) and Teaching Music in Hong Kong, China and the World (Springer, 2022).

Connect on Linkedin
https://www.linkedin.com/in/fanny-chung-b78532152/

Connect on ResearchGate
https://www.researchgate.net/profile/Fanny-Chung

Additional website of interest
https://www.fannychung.net

See this presentation on the full schedule – On Demand Schedule

Bookmark