The study focuses on the integration and reshaping of calligraphy and Western formalism. As a model of ancient Chinese art, calligraphy embodies formal aesthetics and cross-cultural influence, clarifying its aesthetic value in modern artistic innovation. This study uses case studies from both Eastern and Western art literature to delve into the historical traces of the interaction between Western formalist theory and calligraphy, clarifying the origin and development of their fusion. At the same time, visual analysis is used to analyze the Western formalism's use of abstract calligraphy, technological innovation, and philosophical concepts through visual elements such as formal aesthetics, spatial layout, and stroke rhythm. Comparing Chinese and Western artistic concepts, insight into the sublimation of calligraphy cultural symbols and philosophical ideas. The modernization of calligraphy has become a key part of the contemporary art discourse system, enhancing its unique position and profound influence in the global art field.

Authors:
Dong Yang, Henan University of Economics and Law, China

About the Presenter(s)
PhD in Art Theory, currently Associate Professor at the School of Fine Arts and Design, Henan University of Economics and Law, China.

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